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A Walk On Sacred Ground by Jimmy Patterson
OKLAHOMA CITY -- April 19, 1995. A day most people in this
country will never forget. Word that a bomb had exploded at the
federal building in Oklahoma City, killing 168 people -- 19 of whom
were children -- spread quickly. People everywhere set aside what
they were doing to watch the tragedy unfold.
Nothing more need be said, really. Everyone who has read just
this far has already resurrected his or her own memories of the day.
It's one of those "I'll always remember where I was" events. Everyone
has their own recollection. Their own emotion. Their own way of
processing the feelings they had -- and hopefully still have -- over
what was the most deadly act of domestic terrorism ever in America.
I remember the day well. There were many tears shed in our
family. We looked on as Tom Brokaw, himself emotional, recounted the
horror of the day. The devastation. The senseless loss of life. And,
of course, the countless images that quickly became forever ingrained
in our minds, such as the photo of a fireman carrying the lifeless
body of young Bailey Almon.
Two weeks ago, all those feelings awoke in me again, though I can
honestly say I have often thought of all the people who died on that
terrifying day.
On Memorial Day weekend, my family and I were fortunate to have
had the opportunity to visit the Oklahoma City National Memorial, a
stirring work of architecture that is both impressive and sparing. It
is a sacred tribute to those who died that day, and to those who
survived. It is a memorial so monumentally emotional, so powerful,
that to try and write anything about it would do it injustice. I give
it the highest recommendation by saying only that, to get there, we
drove eight hours with three kids in the car, it was worth it and we
would do it again tomorrow.
There are two thoughts that remain after our visit: First, that
the 168 people who died in that mass murder should never be
forgotten.
Second, though the Oklahoma City National Memorial honors all who
were killed, what struck me is the presence, if only in spirit, of
the children. So many innocents. All murdered in the name of
bitterness toward the government.
What a tragic waste. Those 19 kids would be 6 today. Some would
be 7, others 8, 9 or 10. They would be playing sports and piano,
playing on swingsets and in their front yard. They would be riding
their bikes, digging in the dirt, chalking on the sidewalk and making
noises to irritate their brothers and sisters. They would be alive,
if not for one horrific moment.
Across the street from the Memorial is a tribute built by St.
Joseph's Catholic Church, itself heavily damaged in the blast. Framed
by a semi-circular marble wall that contains 168 candles is the most
moving site of the entire downtown area: a statue of Christ, head in
hands, weeping. At the foot of the statue is the simple passage: "...
and Jesus Wept."
A single figure of Jesus. Three words. A world of meaning.
What was noticeable to me upon first entering the Memorial was
the quiet. So hushed a place, yet so many people milling about. There
were 300, maybe 400 people, but there could have been 3 or 4 as loud
as the quiet was. I don't frequent memorials, art exhibits or
architectural tributes, so I don't know if quiet is common. I suspect
that it is. But the hush here was quite simply a display of
reverence. It was a show of respect for the people who died on what
Oklahomans call sacred ground. It was a symbol of the return of
dignity to the 168 people who were violently stripped of it five
years ago.
A phrase imbedded in the Memorial's bronze Gates of Time says in
part, "May all who leave here know the impact of violence." Estimates
have placed yearly visitor totals at 500,000. If that guess holds
true, and if people adhere to what they read upon entering, maybe the
world will be a better place in a few years.
Everywhere, there are memories of the dead, yet feelings of hope
for a non-violent future. The field of empty chairs are individual
monuments. Large chairs for the adults; small chairs for the
children. All memorialize those who were taken. Look to the west and
there's the makeshift chain link memorial, an element of the Memorial
originally constructed when the area was first sealed off five years
ago. Today, people still adorn the fence with stuffed animals, teddy
bears, flowers, pictures and other items. On a hill, on what was the
south side of the building, sits a fenced-off area that was once a
playground. A small patch of grass where the children who stayed at
the federal building day care center spent their time laughing,
swinging, sliding and playing every day, no doubt without a care in
the world.
Walk north, above the reflecting pool, adjacent to a field of
green grass and a grove of young loblolly pines and you see another
area dedicated to the children. It is a part of the Memorial made
memorable by the simple honesty and innocent beauty of children's
paintings, done in honor of their kindred spirits.
There are 600 of these ceramic tiles that have been placed
together to form a 4-foot wall of remembrance. The simplicity, the
youthful tone of the artwork, the very dis-unity of these designs
makes for a patchwork masterpiece. The wall's message will stay with
anyone who sees it. Certainly the professionals spent many hours and
millions of dollars designing a wonderful, stirring Memorial. But the
contrast of the honest, raw emotions conveyed by the children's hard
work is as poignant and touching as anything else here.
Nestled in the middle of those 600 individual pieces of art is a
single, simple sentiment painted on one particular tile. Words that
come from one child, but should be read and remembered by all: "We
Will Never Forget."
To view pictures of the Oklahoma City National Memorial, please
visit http://www.uwmidland.org/Story%20File/oklahoma_city_national_memorial.htm.
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